Jumpy in the best way possible! With not too much loudness but plenty of punch all the same, a beat that builds and evolves in two phases and keeps you bopping.
Feels like structurally it might not be a bad thing with with more waveform variation; some more silent/calmer/softer pauses, some bridges that more than phase out individual layers but also maybe change the tempo and beat and all...
But continuity's maybe underappreciated too... this was great.
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Orchestral metal! Always a good time with this particular combo. Pompous, heavy and generally just bad-ass and awesome. It starts soft, builds nicely, grows and goes just about as metal as it possible can...
Solid work all the way, though if there's anything I'm missing maybe... it's some crazy solos. It shifts a bit but seems to solo more with synth than guitar; nothing crazy on that front. Just very melodic; structural; polished all the way.
Dope work.
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Just like the moment when Sam and Frodo finally head off to Mordor...
At least the first part definitely doesn't seem inspired by that, but when the orchestra really kicks in... oh my. Feels. Feels so familiar too. This was beautiful. Vibrant, calm, clear and crazy emotional for such a short audial sojourn. Suppose it may remind me of emotional moments that carried a somewhat similar soundtrack. But maybe the emotion really is all in the music.
Such a pompous ending too! Truly beautiful.
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Was thinking this was good but maybe not the most original remix out there but then... you hit that 1:14 mark! :D And suddenly it's a lot more than I thought it'd be. What a lift.
The melody's still the same, it's still Tetris, it's not a revolutionary change structurally... but melodically a tasty twist, and you do shift up the structure after that point as well for a while, really turns into a grimy dance track for a while, then gets back to more conventional Tetris...
Not incredibly new but: dope take on the old classic.
I really like the softer tones at the end too.
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Ooo this is screechy... I can appreciate the energy, and the damper; more toned down parts, but that shrill noise-heavy sound this has otherwise man, it's hard on the ears. Have to lower the volume more than this deserves, it's a banger otherwise!
I get how the sound could be representative of the title but wouldn't a soda pop be a little brighter after all? More positive? Less distortion; more just bubbly joy? More ASMR than distortion? Maybe we feel differently about soda!
Props on creative approach and detail level overall but... have a hard time with these high frequencies.
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Funny credit to... who? Is that a person? The sensation itself - the joyous wonder a track such as this imposes on you?
Loudness indeed a little on the high end, but the mix still sounds crisp enough, punchy and upbeat melody, interesting pauses and sound effects after the two minute mark... it's a pretty refreshing mix of sounds and melody, definitely reflective of the emotion it seeks to convey.
Towards the end I'm wondering if the slow-down parts really contribute to the overall energy of the song - feels like they might get in the way of that sense of elation and exaltation a bit - like you break away from the sensation itself when the music breaks, the epitome of such feels as it thus might be..
But such a dope mixture overall. Fresh; fun; a little loud but... hella energetic and joyous!
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And y'all can sing too! :D This was fantastic, though took me a few seconds before I really started getting into it, thought the flow faltered a little initially but not at all, why that impression...
I love how unprocessed the vocals are but I do wonder how good this could sound with a little more work on that, layers, harmonies, IDK, production's not my forte but feels like you could get this sounding way way better with a voice like this! Gotta be ways. Maybe just crisper recording equipment/more noise cancellation/isolation/some foam on the walls or something...
Hope y'all just keep getting better and better! Soulful stuff.
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I do miss those 2010-2011 battles, even had official compilation albums for a couple of years, have both of those on a shelf here... don't recall names but good to see you're still going strong!
You're definitely going hard on this. Delivery's on point, rhyme scheme's on point, the beat's good, and minimal so you really do focus on the vocals; there's not much room to mess up there...
Production quality could maybe use a little extra polish occasionally, like for example the 2:35 part, feels like the autotune/filter makes the vocals a little flat here, could probably increase the range/richness a bit. Clarity's great everywhere but maybe a little de-essing elsewhere too.
Overall though what a banger. The annunciation's clear; the flow never falters. Feels like the strong point above all here: y'all really can rap!
Keep up the goodness.
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Check out “I’m sorry baby” & “too much sauce”
Not all of these seem that sad though, some are hopeful, some are cathartic, some are like the sunshine after a long rain, the rays falling on the wreckage of a passing storm... like for example 'autumn blend'. To me it doesn't sound that much like autumn after all, maybe more like spring, like the time when things awaken and rise more so than wither and die and all... and some are soothing; calming; overall GOOD in so many different ways... I don't catch the sadness on but a few really. Maybe more so a melancholy...
I like the lo-fi tone, and the beats overall are solid, the grooves good, the layers atmospheric.
Feels like the production on some parts - especially louder ones - are a little flat, like for example around the 18 minute mark - the vocal samples here too don't feel as vibrant as they could be. Some of them end pretty abruptly too - like for example this same one. The mix overall could maybe be a little wider; richer; more nuanced, but then again it is lo-fi, which is definitely a more saturated; low down sound... so maybe this is what you're going for. Doesn't seem as noticeable when the volume's a little lower though; it feels more vibrant then for the most part. Maybe mix does differ from track to track; maybe the frequency range cuts off a little on the high-end ones...
Would be nice with timestamps more so than track lengths in the description so you know exactly to which point to skip if you want to listen to one particular track.
Overall: impressive set! Impressive showcase of variation, and various feels.
They're not all the most vibrant but they do all hold the groove well, and all feel suitably atmospheric, and they're an impressive collective! I lose track of the titles after a while... but my favorite one here might actually be the autumn blend specifically. Feels richer than a lot of the later ones, but maybe it also feels new at that point; I lose the precision for judgement later on...
Awesome work compiling and making all of these! Looking forward to what more you do.
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Bamboo Shoots!
Age 35, Male
Poet/Designer/Etc
ACCOMPLISHED
Sweden
Joined on 1/17/04
Sequencizer (TI:Silent Ki 
DenX - Lurking (New) 
joy_ 
ROF - Area Codes 
selected tragedy works volume one (continuous mix) 
