Happy to see some of Kaolinn's work selected for one of these tracks! :) Agree, it's fantastic, and this music follows this particular piece really well, with such a soft and imaginative ambience and then... bam, blast of percussion kicking in... or not... despite the waveform it really keeps the peace, and ambience all the way through. Imaginative and airy. The break fits right in, too, with some creatively wonky beats right after. Awesome ambience all the way.
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A pretty ominous piece, but ambient too, mysterious, intriguing... I feel it goes well with the image. It captures the uncertainty of it,the vagueness, the feeling that something's off but you don't really know what. There's little build or change until the final phase, apart from the beat that accompanies you a while, but I don't miss the variation until the break, at that point... just not sure why it breaks. What happens. Does he meet his demise, and start falling again, faster and faster, an eternal loop on his spiraling road into oblivion? A bit strange, and low, a break, but otherwise I really like the vibe here. Eerie.
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Thank you for your nice review! The song is meant to be tragic and dark and the one who falls in the dark wont come back to the light. ;)
Really chose a beautiful artpiece for this one! Reviewed that years ago and apparently started with 'So this is what you see when you feel the music'... so suitable. :D Dancing with wolves, with wings; with emotion... not getting those impressions with this, but more so the artists one I guess, focused on above, with shutting out the world and cranking up the volume. Can definitely picture that even if it's nothing I ever do. Doesn't seem to be a need to drown out the world, even if I love a good beat. The percussion's really heavy and unorthodox too, breaks, starts again, each stop and start with a somewhat satisfying zoom-kind of sound... it's pretty cool, even if the instability of it all also prevents me from really immersing myself in it and following the tune. I wonder if it'd be different with more than the percussion, or less pauses, or a more steady structure... whatever it is there's something there I'm missing,even though I'm real impressed with the smoothness of the sound overall, and the tribal undertones following the main hits, a lot more there than really meets the ear. Smooth intro too, and that occasional wooooo!
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Thanks for the kind words Mr. Devil. I think those "zooming sounds" you referred to were reversed snares and cymbals.
The cool thing about music is what it does for people regardless of genre or taste. I have a lot of friends that find death metal soothing, myself included. Criticism helps people find their way but I've been writing music for so long that I've kind of tuned it out while letting the sound do what it wants. I avoid comps because I always disagree with the judges. I've always felt like there was an easier way for the judges to say "we really prefer better genres. Try being a different artist next time."
That ringing tone in the background... sounds like a telephone that someone just won't answer. XD After a while I think that part's really getting on my nerves... and the beat overall: very monotone. Same thing all over. The beat skips a bit, but little variation otherwise. The breaks come in, with a little bit of build-up before them, but they don't shift things around so much as break them up, and then something new starts. I feel the transitions and monotony are the big things to improve on here. Would be great if it could flow together without really taking a break every time a change is made. You do drop an instrument occasionally, or shift the beat a bit, or add in some build-up, but it's still very structured/expected progression, with a lot of the same between changes. I like the beginning and end but... overall not a huge fan. Maybe it's the melody too, or the choice of instruments. It has an ominous tone, and a punch, but is also just very repetitive and loud. Could imagine this in a fight scene though, boss level, Red Baron type... but as is not really getting into the groove.
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Slenderman makes for some interesting audio. :) Though Batman was hiding in the shadows there too I don't really sense him in this sound... it seems to be all about the former. A chaotic kind of rhythm with a deep beat in the background. Bit loud, and a bit predictable breaks, but I like the rhythm otherwise. Regarding the dubstep though: I'm not really getting that impression. It feels more like House and Industrial/DnB to me. Kept waiting for that drop but... I guess the dubstep lies in the choice of VST more so than the rhythm? To me dubstep's all about the rhythm, or lack thereof, Gotta have that unexpected drop, or build-up before it, and just a sort of organized chaos that messes with your head. Good sound, but not all the way there IMO.
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You definitely chose an interesting piece to make music for! :D First pixel art I see in the contest. The introduction seems to capture the calm of it. The beautiful sunset. The waves. The boats in the distance. A serene scene... that slowly morphs into something else as you notice the fire on the right side. Something's wrong. Subtle shiver. It keeps building, but never turns to full-out chaos, just like with the picture, it's an almost unnoticeable threat you suddenly discover, the brooding starts... but it never transcends into chaos all the way. The ending: all up to you.
I really like the mood here. It's subtle, and soft, but masterfully brooding after that initial, almost jazzy ambience. Paints the night well, and the gap is seamless before the tension starts. It has an industrial tone to it too, so I'm curious if that's what you went for after the initial phase, or if it's anything like the impression I had above? Great sound work, great balance; great composition overall. The latter part in particular. Really like the tension there.
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Wow, thank you for the review, I really appreciate it. I decided to try something a bit different and go with a soft ambient sound to contrast two things.
The first contrast is that I normally write heavy rock / metal music and I wanted to see what I was capable of doing outside of that but with the same instruments
The second contrast is to the image itself. There would be people hard at work in a setting like this and most people that passed by would see it just as that, a place of work. I however, see a place where people make a living, possibly even living on these barges, the beauty of their surrounding but also the extreme potential for a hazardous event to take place. This space is calming, beautiful and seems to be peaceful but there is still that underlying feeling of danger that could not be ignored. Storms, Possibly falling over the edge not knowing if you'll be swept away by the currents or be lucky enough to survive, Oil that could explode and / or set ablaze everything that is yours.
To answer your question on the industrial tone, I actually created that by accident while writing and loved the sound so I kept it in. I pretty much went into old habits and was playing a few barred chords (set your guitar to a dropped tuning and play the 4th, 5th and 6th string all on the same fret) with some delay and a tad bit of reverb. I started to write around it and everything sort of fell into place.
One other accident that I was pleasantly surprised with is at about 2:00 into the songs, I decided to tremolo pick to get a pleasant "wave-ish" vibe going and the reverb / delay settings I used along with the notes created what sounds to be wind in the background and it brought so much more of the artwork to life.
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Definitely getting a pretty creepy vibe from this one. :) Love the strings, the slowness, the heavy steps in the background, the chorus, and just how everything builds up after that initial, softer, phase of piano. It's like walking through a house, and you start noticing something strange, something moving, some darkness closing in, and you start walking faster, and further, and the strangeness starts amounting and closing in on you... it really takes all of this at the right pace too. :) Feels larger than just the doll, like the image was just the first minute of this, and then it starts growing; going elsewhere, but I do love the mood! Classy haunted house vibes and a flawless orchestral build-up. It doesn't stress it either. It goes all the way, but then... bit anticlimatic end! Feels like there would've been room for something more there. Almost perfect. Good sound levels too.
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Really like the music in this! How it builds and progresses towards the end, with the whistling bit in particular - though it grows almost too sharp towards the end (the volume shift between start and finish is pretty high too)... it's both ambient and melancholy, with appreciatively deep piano especially during the higher parts of song. Seems to convey the atmosphere in the picture perfectly, or rather the atmosphere for that one particular person within the crowd. I imagine this in his mind, while everyone else cheers in joyous unison, their sounds ebbing out in his head, a voyage of thought...
The lyrics feel heartfelt and poetic, and worked well together even though I usually have a difficult time with things that don't rhyme. :) Reading it I felt words often seemed to clog together, like 'years that've gone by', instead of for example 'years that have gone', but when you sing it none of that seems a problem... great emphasis and pacing. Only the drawn out end bits with 'will never ever end' and 'maybe you see me this way' seem somewhat forced.
I also get the impression you sing with a bit of a whisper; a bit restricted. It's an interesting style, and though I wonder if it wouldn't be even more grandiose if you really opened up, somehow, it works well for this song, with that state of emotion it conveys. Clear and vibrant always, and especially with the latter parts, though since I notice you breathe quite often (for example the best *breath* that you *breath* can be) I'm curious if you really do diaphragm level breathing? You do seem like a pro but... if no that might really open up for longer/easier bridges and notes. Just something I wonder...
Overall this was beautiful! Music and song work together nicely and really paint that picture with a whole new layer of emotion.
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Thanks for the review!
I haven't had any professional training, but I've been doing my best in most cases to sing from the stomach / diaphragm. I don't always realise it, though. With this one, I think it was much harder to diaphragm-sing without basically projecting my voice out, giving it volume. Being asthmatic doesn't help that sort of singing either, so I wind up almost sighing for breath in softer passages like these. The softness came from someone suggesting to me to listen to Aimee Mann, and I got influenced by a bit of her stuff, in particular, "It's Not" -- and I hoped to convey that same breathless emotion, even if I'm no pro at it aaaaaaa
Any pointers to circumvent something like that would be appreciated. Glad you enjoyed the song! Thanks again!
Well this was definitely a more positive twist to that artwork than I'd expected. :) Didn't think it felt as wholly positive as this does, like an open and airy and awesome experience... but more so a disillusioning and degrading one. With the image I felt her consciousness was crumbling away, while here the clarity comes across so well. Total clarity. Don't relate to the drugs so much as a sense of: flying. Total euphoria. Running. Setting something in motion. But relatability to the image disconsidered this was awesome. An energetic and really pumped-up trance/dance/house track. Never gets dull. The wavy sound's a bit much sometimes, and bit high on the loudness, but otherwise all great! The sound's refreshingly sharp compared to most of the bass-heavy tracks of the type lately.
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Hey Cyber!
Aye I did have a really uplifting and positive take on this, I saw the artwork as being really light-hearted and a little romanticized. I wanted to try and capture that feeling of a moment being so good you wanna freeze it, which is what the last drop/solo is all about.
The overly wavy sound is something I also really liked about this track myself, it could have been honed in but I'm fond of it, maybe because of the memories attached to the song and sentimentality rather than a critical thinking approach ahaha
This is one of the sounds I want to elaborate on in future, trying to achieve a really polished, pretty and glossy sound. Thanks a lot for another honest and critical review. Pointers, opinions and directions are invaluable - <3
Bamboo Shoots!
Age 35, Male
Poet/Designer/Etc
ACCOMPLISHED
Sweden
Joined on 1/17/04
AIM - Grandeur 
The Fallen 
AIM - Music Identified 
AIM-Red Blitz 
Sinister Joy (Contest Entry) 
Repurposed Souls - A.I.M. 2018 
AIM-The Creepy Doll 
AIM - distance 
AIM - DRUGS 
